Left with no alternative, Kane dives and shrouds the grenade with his body in a heroic act to save the other soldiers ( " Bed Bugs and Beyond"). Bennett is closest and is told to kick it away by Page, his Sergeant, but instead dives for cover. Two of the other Afghan men run whilst the third throws a fragmenting grenade into the tent. Farzad breaks loose from their group and attempts to warn the American soldiers that his fellow three are going to attack and bomb the tent, but is shot and killed by a misunderstanding soldier. The three unfriendly Afghan men are seen outside pushing and arguing with Farzad. Whilst remotely viewing an air strike in a tent, the soldiers are shown to be eating ice cream while Bennett speaks to his fellow soldier, Kane, about the lack of combat on his tour.
Bennett unwittingly confirms that he can see how they think the soldiers are gay. He asks the attache why his three partners look nauseated and upset, and is informed that the other three Afghan attaches believe all the soldiers at the camp are "boy kiss boy" (homosexual) after seeing the soldiers engaging in choreographed song and dance while filming a homoerotic parody video.
He tosses a bottle of water to an Afghan attache named Farzad. Before Litchfield īennett is revealed to have been a corporal in the United States Army prior to working at Litchfield. He has a prosthetic left leg.įor a list of episodes featuring Bennett's flashbacks, see here. However, at home, he is seen wearing more casual attire, such as when he came to Cesar's house to inform him of his and Daya's engagement. John Bennett has short dark-brown hair and is mostly seen in his CO uniform in the episodes. When faced with extreme responsibilities, John is shown to flee and hide instead of stepping up and doing what is right, as evident in his actions regarding Daya and their child.
He carries himself as straight-laced, almost like a Boy Scout, but at times has a military bearing.
PRISONER SEDUCED WHILE SLEEPING GAY PORN CODE
However, this moral code did not prevent him starting a relationship with a prisoner (who lawfully cannot consent) or being willing to abuse his power, such as when he threatens Daya's prison family in order to keep the secret that he's the biological father of Daya's daughter. Unlike some of the guards, he seems to have a moral code and will stand up for inmates being treated poorly.
PRISONER SEDUCED WHILE SLEEPING GAY PORN FULL
Harry (Jeremie Cyr-Cooke) and Alan (Colin Malone) deliver exquisite performances full of energy and gravitas from the start.John Bennett is one of the kinder guards within the prison. Another comedic two-hander, only this one features two men, one gay one straight. Later in the day, the intimate setting of the Teacher’s Club is perfect for writer-director Brian Merriman’s highly polished and stylish Straight Acting. Sorcha Furlong, as Martha, and Annette Flynn, as Amy, take little time to get into their stride, but once they stop performing to the audience and start reacting to each other, they deliver Brunker’s witty and clever dialogue with an impressive range of emotions.Ī riot of good old fashioned Dublin humour, the play packs a punch and is not to be missed.Īt Players Trinity College Dublin until May 7th at 7.30pm, Saturday matinee at 12.30pm STRAIGHT ACTING She seduces the uptight Amy and a relationship develops which grows from initial mistrust to unexpected intimacy, “us girls should never forget about the orgasms”. Martha is a brassy, middle-aged bisexual whose husband has forced her into Dublin’s thriving swingers scene. Traumatised by walking in on him and his Brazilian lover, she has decided to purge herself physically to purge herself emotionally. Amy is a southside career woman who has recently discovered that her husband of four years has been sleeping around with other men. In a health farm where the winter vomiting bug is forcing everyone to isolate in their rooms, we are introduced to two female protagonists. CURIOSITYįirst is Curiosity, a comedic two-hander written and directed by Amanda Brunker, which explores issues of female sex and sexuality in a light-hearted and inoffensive manner. The first focuses on female sexual identity and the second on notions of what it means to be a “real” man. A day spent reviewing two of the main offerings in the first week of the 19th International Dublin Gay Theatre Festival is broken into two even halves.